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Royal Canadian Navy sailors parading in No. 1 Dress, with medals and accoutrements A master seaman of the Royal Canadian Navy (centre foreground) in No. 1A Dress. No. 1 – Navy blue, double-breasted coat and trousers naval dress uniform worn with a white long-sleeve shirt and black necktie, with full-sized medals, swords, and other accoutrements
1841 fashion plate shows lower sleeve fullness, triangular or V-shaped emphasis in the bodice, and a sloping shoulder line. The indoor cap is trimmed with ribbon loops and frills. Viennese summer fashions for 1841 feature pleated panels at the breast and sloping shoulder over long sleeves. The waist is narrow and slightly pointed, and skirts ...
SS mess dress resembled a double-breasted dinner jacket, with collar tabs and white piping. In modern Germany, mess dress is a permitted uniform for officers and non-commissioned officers (NCOs) of the Bundeswehr attending white or black tie festive social occasions.
The morning dress has back gathers and long sleeves, and like the walking costume, has trim at the hemline and new detail at the upper sleeve. During the first two decades of the 19th century, fashions continued to follow the basic high-waisted empire silhouette , but in other respects, neoclassical influences became progressively diluted.
The modern word for a dress coat in Italian, French, Romanian and Spanish is frac; in German and Scandinavian languages Frack; and Portuguese fraque, used in the late 18th century to describe a garment very similar to the frock, being a single or double-breasted garment with a diagonally cutaway front in the manner of a modern morning coat.
The top-frock was usually double breasted. [1] The formal variety was sometimes called a Prince Albert overcoat. The Prince Albert top frock, from the later half of the 19th century, originally had a three-inch-wide velvet collar, and flap pockets at the hip, until 1893, when it became even more fitted, longer, and double-breasted. [2]
Neapolitan tailoring was born as an attempt to loosen up the stiffness of English tailoring, which did not suit the Neapolitan lifestyle or climate. [1]Vincenzo Attolini, the master tailor at London House in Napoli, created the Neapolitan look featuring slim lines, high armholes, and soft-shouldered jackets. [2]
Dress shapes and silhouettes, textiles, and colors vary. Dresses can have sleeves of any length or can be sleeveless, and dresses can have any neckline. Similarly, dresses can have skirts of any length or hemline. These variances may be based on considerations such as fashion trends, modesty, weather, and personal taste. [3]
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