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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
As part of a country's cultural heritage, they include celebrations, festivals, performances, oral traditions, music, and the making of handicrafts. [1] The "intangible cultural heritage" is defined by the Convention for the Safeguarding of Intangible Cultural Heritage, drafted in 2003 [2] and took effect in 2006. [3]
Women playing the Shamisen, Tsuzumi, and Taiko in Meiji-era Japan. Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments.
Name Date Location Notes Binalbal Festival 15 [5] Misamis Occidental: Baggak Festival [6] Bauang, La Union: Celebrates the municipality's founding anniversary [6] Kuraldal Festival: 6 [7] Sasmuan, Pampanga: Honours the town's patroness, Saint Lucy [7] Hinagdanan Festival: 9 [8] Bingag, Dauis, Bohol
Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed] Lafcadio Hearn related in his book Kwaidan: Stories and Studies of Strange Things (1903) "Mimi-nashi Hoichi" (Hoichi the Earless), a Japanese ghost story about a blind biwa hōshi who performs "The Tale of the Heike". [7]
The Biwa in History, Its Origins and Development in Japan. Ann Arbor: University of Michigan, 1967. Groemer, Gerald. The Spirit of Tsugaru: Blind Musicians, Tsugaru-jamisen, and the Folk Music of Northern Japan, with the Autobiography of Takahashi Chikuzan. Sterling Heights: Harmonie Park Press, 1999. History of Japanese Traditional Music ...
Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
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