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[1] [2] [3] The poem, in twelve lines of rhyming couplets of iambic tetrameter verse, describes what Kilmer perceives as the inability of art created by humankind to replicate the beauty achieved by nature. Kilmer is most remembered for "Trees", which has been the subject of frequent parodies and references in popular culture.
"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
The use of the star imagery is unusual in that Keats dismisses many of its more apparent qualities, focusing on the star's steadfast and passively watchful nature. In the first recorded draft (copied by Charles Brown and dated to early 1819), the poet loves unto death; by the final version, death is an alternative to (ephemeral) love.
[109] On "A slumber did my spirit seal", Wordsworth's friend Thomas Powell wrote that the poem "stands by itself, and is without title prefixed, yet we are to know, from the penetration of Mr. Wordsworth's admirers, that it is a sequel to the other deep poems that precede it, and is about one Lucy, who is dead. From the table of contents ...
The poem is pastoral, and at times erotic, comic and tragic. It contains discourses on the nature of love, and observations of nature. It is written in stanzas of six lines of iambic pentameter rhyming ABABCC; although this verse form was known before Shakespeare's use, it is now commonly known as the Venus and Adonis stanza
In hindsight it seems that the story of the doomed illicit love affair between Vaudracour and Julia that appears in The Prelude, also published as a separate longer poem in 1820, is an oblique autobiographical reference to Wordsworth's affair. [11] Neither is there any real record left to us of the Calais meeting.
Yet the Poem contains many delicate touches of passion, and indeed the passion is every where true to nature, a great number of the stanzas present beautiful images, and are expressed with unusual felicity of language; and the versification, though the metre is itself unfit for long poems, is harmonious and artfully varied, exhibiting the ...
Because of this quality, and because of the striking effectiveness of their imagery, these poems can be said to be the true harbingers of Coleridge's greatest poems". [76] Others agree on the strength of Frost at Midnight. Richard Holmes wrote in 1989 that the poem "is one of the most intricately structured of all the Conversation Poems". [77]