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The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called maki-e (蒔絵) in which metal powder is sprinkled to attach to lacquer. The invention of various maki-e techniques in Japanese history expanded artistic expression, and various tools and works of art such as inro are highly decorative ...
The Traditional Crafts of Japan (伝統的工芸品, dentōteki kōgeihin) is a series of Japanese crafts specially recognized and designated as such by the Minister of Economy, Trade and Industry (formerly, the Minister of International Trade and Industry) in accordance with the 1974 Act on the Promotion of Traditional Craft Industries [].
This is the earliest era from which notable quantities of lacquerware have survived, [9] with states, later kingdoms, of Qin and Chu producing the largest number of lacquerware. The state of Chu having the geographical advantage and warmer climates enabled dedicated mass cultivation of lacquer trees and for lacquerware to become a commercial ...
Maki-e Maki-e enlargement. Maki-e (蒔絵, literally: sprinkled picture (or design)) is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware.
A large amount of earthenware and stoneware were recovered from these middens, including approximately 2,000 clay figures, wood products, bones and antler objects and tools, and fragments of baskets and lacquerware. Some objects made of jade, amber and obsidian were not native to the area, and could only have come to this site via trade. The ...
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Japanning firms ranged in size from small family workshops, which often adjoined the proprietor's home, to a few large factories employing over 250 people. In the larger workshops, the production of tin plate and papier-mâché articles and the japanning process all took place under one roof, while small workshops tended to carry out only one ...