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Throughout the film, the recurring motif of "eyes" is connected to a constantly changing flow of images, and sometimes violent manipulations, in order to call into question our ability, and the narrator's own, to accurately perceive and understand reality. [5] Narrative motifs can be ironic.
Cinepoetry: Imaginary Cinemas in French Poetry (Verbal Arts: Studies in Poetics) by Christophe Wall-romana Cinepoems and others by Benjamin Fondane Scenario's Charm(シナリオの魅力 Shinario No Miryoku ) by Fuyuhiko Kitagawa
Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations), [3] [4] [5] motifs, and clichés in a work of creative literature.
Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet montage or French Impressionism but were individuals who created this lyrical style.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
Poetry film is a subgenre of film that fuses the use of spoken word poetry, visual images, and sound. This fusion of image and spoken word (both independent and interdependent) creates what William Wees called the "Poetry-film" genre.
The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini 's The Kite Runner , the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.