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Art historians have debated this portrayal of Danaë, with some noting an open, inviting posture, while others observe the clenched fist and closed legs. [5] Some scholars believe this painting refers directly to the rape the artist endured a few years prior, [3] while others argue that she rather had a sympathy for women victimized by unwelcome sexual pressures.
However, when women portray themselves, self-portraiture takes on additional meanings, often subverting social and artistic norms. For women artists, the practice of self-portraiture has historically represented a territory of claiming space in a predominantly male world, in which their contributions were often ignored or marginalized. [1]
It is one of a number of paintings of Gentileschi that focus on virtuous women ill-treated by men. The painting was painted between 1623 and 1625. It is currently in the collection of Gerolamo Etro, Milan. [1] It is one of several paintings of Lucretia that Gentileschi produced during her career. It is assumed that this is a self-portrait of ...
The Self Portrait of Italian baroque artist Artemisia Gentileschi was painted in the early 1630s. It currently hangs in the Palazzo Barberini, Rome. It is one of many paintings where Gentileschi depicts herself. Beyond self-portraits, her allegorical and religious paintings often featured herself in different guises.
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007). McTighe, Sheila. Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci. The Art Bulletin, College Art Association 86 (2004):301–323, doi 10.2307/3177419. Anon. The Flowering of Florence: Botanical Art for the Medici. National Gallery of ...
The Honeysuckle Bower is a self-portrait of the Flemish Baroque painter Peter Paul Rubens and his first wife Isabella Brant, executed c. 1609.The couple is seated in fine clothes within a garden composition and a vine of honeysuckle is placed overhead. The symbolism of the double-portrait alludes to meanings of love and marriage, such as the ...
Saint Catherine of Alexandra is a painting by the Italian Baroque artist Artemisia Gentileschi.It is in the collection of the Uffizi, Florence. [1] Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the Self-Portrait as Saint Catherine of Alexandria (1615–1617), now in the National Gallery, London.