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The Pataliputra capital, a Hellenistic anta capital found in the Mauryan Empire palace of Pataliputra, India, dated to the 3rd century BCE. Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era.
Hellenistic art nevertheless had a considerable influence on the cultures that had been affected by the Hellenistic expansion. As far as the Indian subcontinent, Hellenistic influence on Indian art was broad and far-reaching, and had effects for several centuries following the forays of Alexander the Great.
These girls were also trained in the theatrical arts. [28] [29] The Indian theater had adopted some elements of Greek comedy. [30] Kalidasa mention the Yayanis (Greek maidens) in his work. [31] Hellenistic influence on Indian art is well documented. Gandhara art was heavily influenced by the Greek style. The Art of Mathura is a
From time of the Mauryan Empire, India was able to use as an example the architectural work of the Greco-Bactrians and the Indo-Greeks from the 3rd to the 1st centuries BCE, with influences which are clearly visible in the Hellenistic designs, such as flame palmettes, beads and reels used and adapted from that time in Indian art.
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2]
"The political influence of Seleucid and Bactrian dynastic Greeks over northwest India, for example, persisted for several centuries after the invasion of the army of Alexander the Great (Tarn 1951). However, we have not found, in Punjab or anywhere else in India, Y chromosomes with the M170 or M35 mutations that together account for 30% in ...
The female equivalent of the Yakshas were the Yakshinis, often associated with trees and children, and whose voluptuous figures became omnipresent in Indian art. [23] Some Hellenistic influence, such as the geometrical folds of the drapery or the walking stance of the statues, has been suggested. [27]
These architectures had influence of Ancient Persian and Hellenistic architecture. [5] Far fewer secular Hindu architecture have survived into the modern era, such as palaces, homes and cities. Ruins and archaeological studies provide a view of early secular architecture in India.