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"Break On Through (To the Other Side)" is a song by the American rock band the Doors. It is the opening track of their debut album, The Doors (1967). Elektra Records issued the song as the group's first single, which reached number 126 [3] in the United States. Despite the single's failure to impact the record sales charts, the song became a ...
The band's performances of "The End" and "When the Music's Over" are featured in Message to Love, a feature documentary film of the 1970 festival. A live version of "Break On Through (To the Other Side)" was featured in The Doors: Box Set, a 1997 box set about the Doors.
The song was chosen as the B-side to the album's first single, "Break On Through (To the Other Side)" and was released in January 1967. The single, however, failed to become a success and only peaked at number 126 in the U.S. [ 11 ] Reviewing the "Break on Through" single, Cash Box said that "End of the Night" is a "bluesy shuffler that also ...
The Doors' March 6, 1967 appearance playing "Break On Through (To the Other Side)" on local Los Angeles TV show Shebang (hosted by Casey Casem) was their first television performance. The performance predates their first break-through hit "Light My Fire". The performance was mimed to a backing track.
Legacy: The Absolute Best is a two-disc compilation album by American rock band the Doors.Released in 2003, it includes the uncensored versions of both "Break On Through (To the Other Side)" and "The End".
The concert is considered one of the better performances by the Doors with lead singer Jim Morrison providing a focused delivery of the songs. [1] The album includes a 22-plus-minute version of "When the Music's Over" plus "Five to One" and "Break on Through".
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The album was released from the Bright Midnight Archives collection which contains a number of previously unreleased live concerts by the Doors. [ 11 ] PopMatters music critic Steve Horowitz observed in his review of Live at the Matrix 1967 , entitled "Money...That's What I Want," [ 12 ] that the Rhino CD was not sourced from Peter Abram's ...