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A Dispatch from Reuters (1940) – biographical drama film about Paul Reuter, the man who built the famous news service that bears his name [1] [2]; Abe Lincoln in Illinois (1940) – biographical historical drama film depicting the life of Abraham Lincoln from his departure from Kentucky until his election as President of the United States [3]
This Above All (film) This Was Paris; Timbuktu (1959 film) The Time Machine (1960 film) Timecop 2: The Berlin Decision; Timestalker; To Have and Have Not (film) Tora! Tora! Tora! The Train (1973 film) The Trapp Family in America
Gaby (film) Gadar: Ek Prem Katha; Gainsbourg: A Heroic Life; The Gandhi Murder; Gangs of Wasseypur; Gangs of Wasseypur – Part 1; Gangs of Wasseypur – Part 2; Gangster Squad (film) The Garden of Evening Mists (film) The Garden of the Finzi-Continis (film) Gateway to Peace; Germany, Pale Mother; Giant (1956 film) Gigolo (1951 film) Girls in ...
A list of American films released in 1940. American film production was concentrated in Hollywood and was dominated by the eight Major film studios MGM, Paramount, Warner Bros., 20th Century Fox, RKO, Columbia, Universal and United Artists. Other significant production and distribution companies included Republic, Monogram and PRC.
This page was last edited on 24 January 2025, at 00:21 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Alias the Deacon (1940 film) Alimony (1949 film) Alive in the Deep; All About Hash; All by Myself (film) All Gummed Up; All My Sons (film) All the King's Men (1949 film) All the World's a Stooge; All This, and Heaven Too; All-American Co-ed; Allergic to Love; Allotment Wives; Almost Married (1942 film) Aloma of the South Seas (1941 film) Along ...
Rear projection in color remained out of reach until Paramount introduced a new projection system in the 1940s. New matte techniques, modified for use with color, were for the first time used in the British film The Thief of Bagdad (1940). However, the high cost of color production in the 1940s meant most films were black and white. [1]
Pay or Die (1960) – biographical crime film about the career of New York City police officer Joseph Petrosino, a pioneer in the fight against organized crime in America [23] Pretty Boy Floyd (1960) – biographical crime drama film based on the career of the notorious 1930s outlaw Charles Arthur "Pretty Boy" Floyd [24]