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In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface.Typically, this is the height of the letter x in the font (the source of the term), as well as the letters v, w, and z.
The project was started in 2010 by Ulanovsky [2] and was released through the Google Fonts catalogue in 2011. Montserrat has become increasingly popular among web designers, and it is used on over 17 million websites. [3] Featuring a large x-height, short descenders and wide apertures, this typeface achieves high legibility even in small sizes.
The junction of two strokes intersecting above as in A M X x is an apex and the joining of two strokes intersecting below as in V W v w is a vertex. [10] The font shown in the example is stressed; this means that strokes have varying widths. In this example, the stroke at the top of the "g" is thinner at the top and bottom than on the sides ...
The Georgia typeface is similar to Times New Roman, another reimagination of transitional serif designs, but as a design for screen display it has a larger x-height and fewer fine details. The New York Times changed its standard font from Times New Roman to Georgia in 2007. [11]
However, Microsoft's font manager Bill Hill wrote that "with its large x-height and very generous spacing, it never felt comfortable as an eBook font". He noted that Microsoft had commissioned an alternative version of the pre-existing typefaces Berling and Frutiger for its Microsoft Reader e-book product. [2]
The vertical distance of the base lines of consecutive lines in a paragraph is also known as line height or leading, although the latter can also refer to the baseline distance minus the font size. Northern Brahmic scripts have a characteristic hanging baseline; the letters are aligned to the top of the writing line, marked by an overbar , with ...
Note the ascending 3, 4 and 5 in the two latter fonts. In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, 0, 1, and 2 are of x-height, having neither ascenders nor descenders; 6 and 8 have ascenders; and 3, 4, 5, 7, and 9 have descenders.
It is a family designed by Toshi Omagari of Monotype Imaging, optimised for on-screen use. It includes a larger x-height and wider spacing. [55] [56] It is the standard four-font family, with bolds and italics. [57]