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Music based on The Tempest (2 C, 9 P) Pages in category "Music based on works by William Shakespeare" The following 10 pages are in this category, out of 10 total.
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One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
Elements of music in India and the Middle East and jazz were also incorporated into the score. [2] While the score has some Middle Ages influence, this is not found in the scenes where Duncan is assassinated and Macbeth is killed. Polanski and the band used aleatoric music for these scenes, to communicate chaos. [1]
Burwell received the script, also admitted that the film is dense with dialogue where "there wasn't a lot of space just for music", [2] which reaffirmed when he received a part of the footage shot before production haled due to COVID-19 pandemic, and complimented Joel's decision to film it entirety in sound stages to bring the ambience and also ...
The funeral of Queen Mary II (30 April 1662 – 28 December 1694) in Westminster Abbey was not until 5 March 1695. Purcell composed a setting of the sixth of the seven sentences of the Anglican Burial Service ("Thou Knowest Lord", Z. 58C) for the occasion, together with the March and Canzona, Z. 780. [1]
Vaughan Williams was engaged to write incidental music at Stratford between 1912 and 1913. Rosabel Watson directed and arranged music for many productions at Stratford and elsewhere. [3] A Shakespeare Music Catalogue (1991) lists over 20,000 items of theatrical and non-theatrical music associated with Shakespeare, much of it unpublished. [4]
The song begins with an instrumental version of the Irish jig, "Merrily Kissed the Quaker". The song appeared in the 2012 documentary film, Kony 2012. The song includes a reference to Macbeth. The repeated line, "stars hide your fires," is also spoken by Macbeth, who conceals his ambition for the throne in Act 1 of the play.