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The English version contains the song "Major Tom (Coming Home)", which reached the top 15 in New Zealand [5] and the US, [6] and the top 50 in the UK. [7]The German version includes the songs "Major Tom (Völlig losgelöst)", which reached number one in Germany, Austria and Switzerland [8] [9] [10] and number two on the Dutch Top 40, [11] [12] as well as "Die Wüste lebt". [13]
Schilling's work proved to be "a hit in its English-language version" alongside other commercial "successes". Those include Trio's "Da Da Da" and After the Fire's "Der Kommissar" (which was a cover of a release by Falco), with Nena's "99 Luftballons" crossing over the Atlantic Ocean to commercial praise even in an untranslated version. [3]
Peter Schilling (born Pierre Michael Schilling; 28 January 1956) is a German synthpop musician whose songs often feature science-fiction themes like aliens, astronauts and catastrophes.
'Maestro,' Bradley Cooper's opus on Leonard Bernstein, is a superb and deeply felt film. Read TIME's review. Venice Review: Leonard Bernstein Comes to Life, Gloriously, in Maestro
Bernstein, himself, joins the hip-swinging sailors. “Maestro” is, for this roughly first black-and-white hour, wonderfully brisk and free of normal biopic constraints. It’s like a dream of ...
The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. [3] Only Patricia Routledge was spared, thanks mostly to her second act showstopper "Duet for One (The First Lady of the Land)" [4] for which she received a mid-show standing ovation on opening night in New York and a mid-show standing ovation from the ...
The Skin of Our Teeth (1964): an aborted work from which Bernstein took material to use in his "Chichester Psalms" Alarums and Flourishes (1980): an aborted work from which Bernstein took material to use in "A Quiet Place" Tucker: an aborted concept for a musical version of the 1988 film "Tucker: The Man and His Dream"
Das Lied von der Erde (The song of the Earth) is an orchestral work for two voices and orchestra written by Gustav Mahler between 1908 and 1909. Described as a symphony when published, it comprises six movements for a large orchestra and two singers as the soloist alternating in the movements.