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Amapiano is a subgenre of kwaito and house music from South Africa that became popular in and around the mid-2010s. It is a hybrid of deep house, gqom, jazz, soul and lounge music characterized by synths and wide, percussive basslines. The word "amapiano" derives from the IsiZulu word for "pianos".
Afro fusion (also spelled afrofusion or afro-fusion) [1] [2] is a dance and musical style that emerged between the 1970s and 2000s. [a] In the same way as the dance style, the musical style invokes fusions of various regional and inter-continental musical cultures, such as jazz, hip hop, kwaito, reggae, soul, pop, kwela, blues, folk, rock and afrobeat.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Amapiano musicians" The following 40 pages are in this category, out of 40 ...
African popular music (also styled Afropop, Afro-pop, Afro pop or African pop), [1] can be defined as any African music, regardless of genre, that uses Western pop musical instruments, such as the guitar, piano, trumpet, etc. [2] Afropop is a genre of music that combines elements from both African traditional music with Western pop music ...
Since kwaito was already developed in South Africa before or possibly during the emergence of afro house. [4] It appears the name made immediate differentiation usage of the prefix 'afro', which in context by definition literally means anything relating to Africa and African culture [5] as well as, the seemingly obvious suffix, 'house', in direct relation to house music.
Tyla is introducing much of the world to amapiano, a fusion of Kwaito house music and jazz NEW YORK (AP) […] The post Tyla, South Africa’s amapiano angel, manifests stardom in debut album ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The early guitar-based bands from the Congo called their music rumba (although it was son rather than rumba-based). The Congolese style eventually evolved into what became known as soukous. In 1972, Cameroonian songwriter and saxophonist Manu Dibango's, internationally innumerably sampled "Soul Makossa" was released.
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