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Lord of Lords may refer to: A title of God used in Deuteronomy 10:17 and Psalm 136:3; A title of Jesus used in 1 Timothy 6:15, Revelation 17:14, and Revelation 19:16; A title of Bahá'u'lláh; Overlord; Lord of Lords (album), a 1972 album by Alice Coltrane
Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". [5] The hymn was published in Leipzig in 1539 in Valentin Schumann's hymnal Gesangbuch, [5] with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published ...
In the Byzantine Rite, whenever a priest is officiating, after the Lord's Prayer he intones this augmented form of the doxology, "For thine is the kingdom and the power and the glory: of the Father, and of the Son, and of the Holy Spirit, now and ever, and unto ages of ages.", [k] and in either instance, reciter(s) of the prayer reply "Amen".
"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [ 1 ] [ 2 ] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs.
"Lord of all Hopefulness" is a Christian hymn written by English writer Jan Struther, which was published in the enlarged edition of Songs of Praise [1] (Oxford University Press) in 1931. The hymn is used in liturgy , at weddings and at the beginning of funeral services , and is one of the most popular hymns in the United Kingdom .
Lords of Lyrics, better known as “L.O.L.", is an American West Coast hip hop duo that consists of Jerry L. Polidore and J.K. Jackson, aka "JP" and Young Koop. The Los Angeles–based group was formed in 1992.
Marcia "Marty" Cohn Spiegel, a Jewish feminist activist familiar with Mi Shebeirach as a prayer of healing from her Conservative background, asked the couple to write a version of the prayer. Like the Sha'ar Zahav Mi Shebeirach , Friedman and Setel's version emphasized spiritual healing in the face of a disease which most at the time were ...
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...