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Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
However, this view of the underworld was not universal – Homer depicts the dead keeping their familiar faces. Hades itself was free from the concept of time. The dead are aware of both the past and the future, and in poems describing Greek heroes, the dead helped move the plot of the story by prophesying and telling truths unknown to the hero ...
Torrent is a 1926 American silent romantic drama film directed by an uncredited Monta Bell, based on a novel by Vicente Blasco Ibáñez, and released on February 21, 1926. [1] [3] [4] [5] Torrent was the first American film starring Swedish actress Greta Garbo. [6] [7] The film also starred Ricardo Cortez and Martha Mattox.
The term is also used in a broad sense of any journey to the realm of the dead in other mythological and religious traditions. A katabasis is similar to a nekyia or necromancy, where one experiences a vision of the underworld or its inhabitants; a nekyia does not generally involve a physical visit, however.
A dialogue between Lycinus (i.e. Lucian) and a Cynic philosopher. Νεκρικοὶ Διάλογοι Dialogi Mortuorum Dialogues of the Dead: 30 miniature dialogues set in the Underworld. Among the most famous of Lucian's works. Ἐνάλιοι Διάλογοι Dialogi Marini Dialogues of the Sea-Gods: 15 miniature dialogues Θεῶν ...
Hadestown is musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
Zeus is angry at Eros, who pleads for forgiveness, arguing that he is just a small child.Zeus, however, is not convinced, considering Eros' ancient age. Zeus demands to know why Eros continues to play tricks on him, causing him to transform into various forms: a satyr [note 1], a bull [note 2], gold [note 3], a swan [note 4], and an eagle [note 5], because Eros never makes women reciprocate ...
The dialogue is told from the perspective of one of Socrates's students, Phaedo of Elis, who was present at Socrates's death bed. Phaedo relates the dialogue from that day to Echecrates, a Pythagorean philosopher. Socrates offers four arguments for the soul's immortality:
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