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Art Make-Up (1967) - video in which Nauman slowly covers his face and upper torso with white, then pink, then green, then black makeup, until by the end he looks like a negative image [1] Initially the films were intended to be projected simultaneously on four walls of a room. Although this form of installation was never realized for this piece ...
Topological Gardens was a 2009 art exhibition by Bruce Nauman at the 53rd Venice Biennale. The artist, representing the United States at the Biennale , received the festival's Golden Lion prize for best national participation.
In 1967-68 artist Bruce Nauman made two videos (among many performance-based videos) in which he presents the idea of the contemporary artist as a somewhat businesslike but degraded clown/actor. In Art Make-Up (1967–68) Nauman videotapes himself applying successive layers of white, pink, green and black makeup to his entire face, arms, and torso.
Body Pressure is a 1974 performance piece by American artist Bruce Nauman. The performer or viewer is instructed to press "as much of the front surface of your body ... against the wall as possible", then to "[p]ress very hard and concentrate ... Think how various parts of your body press against the wall; which parts touch and which do not".
Museo Jumex. Colección Jumex is a private art collection owned by Eugenio López Alonso.It includes around 2,800 [1] works by Damien Hirst, Andy Warhol, Gabriel Orozco, Cy Twombly, Jeff Koons, Marcel Duchamp, Andreas Gursky, Darren Almond, Tacita Dean, Olafur Eliasson, Martin Kippenberger, Carl Hopgood, Bruce Nauman, David Ostrowski, Francis Alÿs, Urs Fischer, Gego, Donald Judd, Ed Ruscha ...
210 11th Avenue. The Fischbach Gallery is an art gallery in New York City.It was founded by Marilyn Cole Fischbach in 1960 at 799 Madison Avenue. [1] The gallery in its early days became known for hosting the first significant solo exhibitions of now leading art world figures including Eva Hesse, Alex Katz and Gary Kuehn.
Live In Your Head: When Attitudes Become Form was an exhibition at the Kunsthalle Bern curated by the Swiss curator, Harald Szeemann, in 1969. [1] The show is considered a groundbreaking landmark for Postminimalist and Arte Povera work which, according to the New York Times, was "arguably the most famous exhibition of new art of the postwar era."
Works by artists such as Gerhard Richter, Agnes Martin, Bruce Nauman and Louise Bourgeois were acquired, with the key criterion being their significance in the development of contemporary art. [ 4 ] Over the past decade, Daros has consistently focused the collection on important groups of work by major artists. [ 5 ]
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