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"True" is a song by English new wave band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan.
True is the third studio album by English new wave band Spandau Ballet, released on 4 March 1983 by Chrysalis Records.The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop.
Spandau Ballet (/ ˈ s p æ n d aʊ ˈ b æ l eɪ / SPAN-dow BAL-ay) were an English new wave band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience.
40 Years: The Greatest Hits is a greatest hits album by English new wave band Spandau Ballet, released in 2020.The collection includes every song issued as a single by the band to that point, although the original recording of "Instinction" from the 1982 Diamond album was chosen over the hit remix by Trevor Horn.
The song was P.M. Dawn's only number-one hit on the US Billboard Hot 100, and it was the first number-one song after the debut of the Nielsen SoundScan system, which monitored airplay and sales more closely than before, when Billboard had to rely on manual sales reports and airplay data. According to the test charts of the SoundScan system ...
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.
"Only When You Leave" is a song by English new wave band Spandau Ballet, released as the first single from their fourth album Parade. It peaked at number 3 on the UK Singles Chart and made the top 10 in several other countries but only reached number 34 in the US, where it was their last song to appear on the Billboard Hot 100.
With this song, Osborne believes Swift is "showing an empowered woman, flirting with and seducing men on her own terms." She sees her great-grandmother reflected in the words:. "Idina was said to ...