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The two-semitone tritone scale, C D ♭ D F ♯ G A ♭, is a symmetric scale consisting of a repeated pattern of two semitones followed by a major third now used for improvisation and may substitute for any mode of the jazz minor scale. [14]
Different versions for the major and minor scales are recorded. [4] One example for the major scale by John Hiles, [5] (this expansion of Hiles' line contains consecutive fifths of the second and third voices between the sixth and the seventh chords; which can, however, be avoided by crossing these voices e.g. in a choral version):
As Gerlach (2007) points out, Haydn's "Capriccio in G on the folk song ' Acht Sauschneider müssen sein '", H. XVII:1 (1765) is evidently written for a harpsichord employing the Viennese bass octave. The work terminates in a chord in which the player's left hand must cover a low G, the G an octave above it, and the B two notes higher still.
Cello – C 2 G 2 D 3 A 3 (an octave lower than the viola) Double bass – E 1 A 1 D 2 G 2 (ascending perfect fourths, where the highest sounding open string coincides with the G on a cello). Double bass with a low C extension – C 1 E 1 A 1 D 2 G 2 (the same, except for low C, which is a major third below the low E on a standard 4-string ...
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
In cello playing, the bow is much like the breath of a wind instrument player. [citation needed] Arguably, it is the major determinant in the expressiveness of the playing. [citation needed] The bow arm divides itself into three independent portions: the arm, the forearm, and the hand. Flexibility in all three portions is required for relaxed ...
In popular music and rock music, "borrowing" of chords from the parallel minor of a major key is commonly done. As such, in these genres, in the key of E major, chords such as D major (or ♭ VII), G major (♭ III) and C major (♭ VI) are commonly used. These chords are all borrowed from the key of E minor.
The naming of individual Cs using the Helmholtz system. Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a combination of upper and lower case letters (A to G), [a] and the sub- and super-prime symbols ( ͵ ′ or ⸜ ⸝) to denote each individual note of the scale.