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As for interlining, wool fabrics such as "blanchet" and "carisé" were used. Blanchet was an umbrella term for white canvas of varying qualities and prices while carisé was a twill rudimentary wool fabric imported from england to france and the dutchy of burgundy [12] otherwise, strong linen or cotton was used.
Wool fabrics were dyed in rich colours, notably reds, greens, golds, blues, and even shades of pink and purple, [9] although the actual blue colour achievable by dyeing with woad (and less frequently indigo) could not match the characteristic rich lapis lazuli pigment blues depicted in contemporary illuminated manuscripts such as the Très ...
Wool was the most important material for clothing, due to its numerous favourable qualities, such as the ability to take dye and its being a good insulator. [5] This century saw the beginnings of the Little Ice Age, and glazing was rare, even for the rich (most houses just had wooden shutters for the winter). Trade in textiles continued to grow ...
Sheep pen (Luttrell Psalter) Sheep shearing as depicted in Les Très Riches Heures du Duc de Berry.Subsistence-level production of wool continued, [8] but was overshadowed by the rise of wool as a commodity, which in turn encouraged demand for other raw materials such as dyestuffs; the rise of manufacturing; the financial sector; urbanisation; and (since wool and related raw materials had a ...
Partlets of the same rich fabric as the bodice of the gown give the appearance of a high-necked gown. Sheer or opaque linen partlets were worn over the chemise or smock, and high-necked smocks began to appear; toward 1550 these might have a small standing collar with a ruffle, which would become the pleated ruff of the next period .
Here’s why: The thick, textured fibers of a wool, cotton or cashmere sweater can feel a bit harsh against the smooth, shiny material of a satin or silk skirt.
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