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Cowley Abbott Canadian Art Auctioneers is an auction house in Toronto, Canada, which holds live and online auctions of Canadian historical, post-war and contemporary artwork, as well as international art. It also sells work through private sales and conducts appraisals and provides art consultancy. [1]
This is the authorized list of Official Canadian War Artists in the Second World War according to A Checklist of the War Collections of World War I, 1914-1918, and World War II, 1939-1945 by R. F. Wodehouse (National Gallery of Canada, Ottawa, 1968).
Donald K. Anderson (June 26, 1920 – May 11, 2009) was Canada's last surviving Royal Canadian Air Force (RCAF) Official Second World War artist. [1] He was known for his character studies, depictions of people, and action scenes.
The CFAP was a successor to several other art programs. The tradition got its formal start in Canada in 1916, with the creation of the Canadian War Memorials Fund. 800 paintings, sculptures and prints were completed throughout the First World War. Most of the works submitted were by artists already serving with the military.
During the Second World War, Jackson became one of the central figures in the development of the Canadian War Art Program in 1943. Working with the National Gallery of Canada, he played a pivotal role in organizing the largest public art project in Canadian history: the Sampson-Matthews silkscreen print program in 1942. [18]
Canadian Forestry Corps' Gas Attack, Lievin (1918) by Canadian war artist A. Y. Jackson. Representative works by Canada's artists whose work illustrates and records war are gathered into the extensive collection of the Canadian War Museum. The earliest war art in Canada was rock art created by Indigenous peoples from all regions of the country ...
The J.S. McLean Centre for Indigenous & Canadian Art exhibits 132 from Canadian and indigenous artists. [69] Approximately 40 percent of works presented in the centre were created by Indigenous artists. [69] The McLean Centre for Indigenous and Canadian Art is 1,200 square metres (13,000 sq ft), [70] with 14 viewing halls. [67]
After the war, Comfort served on the Board of Directors and various committees at the Art Gallery of Toronto, and was Director of the National Gallery of Canada from 1959 until 1965. During his time as the Director of the National Gallery of Canada, he helped the National Gallery of Canada move into the Lorne building in 1960. [ 9 ]