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Chiapas handcrafts and folk art is most represented with the making of pottery, textiles and amber products, though other crafts such as those working with wood, leather and stone are also important. The state is one of Mexico's main handcraft producers, with most artisans being indigenous women, who dominate the production of pottery and textiles.
The Tzeltal are a Maya people of Mexico, who chiefly reside in the highlands of Chiapas.The Tzeltal language belongs to the Tzeltalan subgroup of Maya languages.Most Tzeltals live in communities in about twenty municipalities, under a Mexican system called “usos y costumbres” which seeks to respect traditional indigenous authority and politics.
Central Mexico, home to Mexico City, features rich culinary traditions like mole and tacos al pastor, and is the birthplace of Mariachi music. Southern Mexico, including states like Oaxaca and Chiapas, has a strong indigenous influence, with tropical cuisine featuring cochinita pibil and mole de olla, and lush landscapes.
The museum has sponsored a Children’s Culture Day since 2001, focusing on primary school age children from low income areas. The events involves the participation of various organization related to the environment, the Universidad de Ciencias y Artes de Chiapas, other museums and more, attracting about 200 children each year. [8]
Usos y costumbres ("customs and traditions"; literally, "uses and customs") is the indigenous customary law in Hispanic America. Since the era of Spanish colonialism, authorities have recognized local forms of rulership, self governance, and juridical practice, with varying degrees of acceptance and formality.
Parachico celebrations in 1948 Parachico celebrations in 2020. Although the Grand Fiesta of the Parachicos has pre-Hispanic origins, the tradition dates to the seventeenth century, when the image of San Sebastian, Martyr, arrived in what was then known as the Royal Village of Chiapa (or Chiapa of the Indians), and the church was built.
The Lacandon escaped Spanish control throughout the colonial era by living in small, remote farming communities in the jungles of what is now Chiapas and the Guatemalan department of El Petén, avoiding contact with whites and Ladinos. Lacandon customs remain close to those of their pre-Columbian Mesoamerican ancestors.
The dances often blend Spanish Catholic customs with pueblo traditions, a mix that may strike some as odd, given the pain connected to centuries of colonialism and the desire for self-determination.