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A floor medallion is generally a centerpiece of flooring design that can be made with various flooring materials, including natural stone, wood, metal, tile, glass or a variety of other materials suitable for flooring. The pattern can be created using various methods such as mosaic, intarsia, and marquetry. [1] [2]
Glazed ceramic tile decoration for the vaults and apse ceiling at Rockefeller Memorial Chapel, University of Chicago, 1928; Marble floor mosaics at the Baltimore Trust Building, 1929; Glass mosaics for the apse and narthex and four stained-glass clerestory windows for the nave at St. Bartholomew's Church, New York City, 1929–56
A tile mosaic is a digital image made up of individual tiles, arranged in a non-overlapping fashion, e.g. to make a static image on a shower room or bathing pool floor, by breaking the image down into square pixels formed from ceramic tiles (a typical size is 1 in × 1 in (25 mm × 25 mm), as for example, on the floor of the University of ...
The main mosaic features circular elements 0.35 m in diameter and tiles 0.25 m to 0.30 m in diameter. Quadrilaterals are also present. Birds, waders or chickens, or "diamond"-type decorations adorn the circular medallions, while the tile medallions feature a Solomon's knot. The border is checkerboard-shaped.
The frame and portrait were carved as one, in marble for interiors, and in stone for exterior walls. It is also the name of a scene that is inset into a larger stained glass window. Ceiling medallions, also called ceiling roses or ceiling ornaments, were often made of cast plaster and were sometimes the site of hanging lamp or chandelier. [2]
The vestibule had a set of marble steps, a wall with a tile mosaic band, [59] [69] and a ceiling with a curving groin vault. [63] Perpendicular to the vestibule was a marble-clad hall measuring 42 by 28 feet (12.8 by 8.5 m). [18] The hall had three Siena-marble arches sculpted by Saint-Gaudens, as well as a fireplace with a carved marble mantel.
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