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Oniko: this process involves tying raffia around hundreds of individual corn kernels or pebbles to produce small white circles on a blue background. The fabric can also be twisted and tied on itself or folded into stripes. Alabere: Stitching raffia onto the fabric in a pattern prior to dyeing. The raffia palm is stripped, and the spine sewn ...
Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
A typical kitenge pattern. Customers and visitors at a display of African kitenge clothes. A kitenge or chitenge (pl. vitenge Swahili; zitenge in Tonga) is an East African, West African and Central African piece of fabric similar to a sarong, often worn by women and wrapped around the chest or waist, over the head as a headscarf, or as a baby sling.
East Africa: Ethiopia has two traditions of embroidery: Amhara embroidery influenced by Coptic Christian traditions and the Muslim style originally centered in the city of Harar, and influenced by Indian and Arabian embroidery patterns. Amhara embroidery is typically sewn on a handwoven undyed cotton chemise and the embroidery is at the neck ...
Kente production can be classified by three versions: authentic kente cloth made by traditional weavers, kente print produced by brands such as Vlisco and Akosombo Textile Ltd, and mass-produced kente pattern typically produced in China for West Africans. Authentic kente cloth is the most expensive, while kente print varies in price depending ...
Baloch traditional clothing (Balochi: جامگ، پوچ) is a historical and contemporary aspect of Baloch heritage and deep association between the traditional dress and Baloch ethnic identity. [1] The clothing of the Baloch people consists of various styles of kameez and shalwar, turban, shoes and head scarfs.
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The character of Kuba design accords with Robert Thompson's observation that some African music and art forms are enlivened by off-beat phrasing of accents, by breaking the expected continuum of surface, by staggering and suspending the pattern. [11] In textile design, the Africans of the Kasai-Sankuru region do not project a composition as an ...
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