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Pages for logged out editors learn more. ... Cornett fingering chart, Museum Musicum Theoretico-Practicum page 37.jpg. Add languages. Page contents not supported in ...
The term false fingering is used in instruments such as woodwinds, brass, and stringed instruments where different fingerings can produce the same note, but where the timbre or tone quality is distinctly different from each other. If the tone quality is not distinctly different between the two notes, the term alternate fingering is often used ...
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The alternate tuning (2 octaves below the mandolin) is usually applied to a smaller-scale instrument (see Mandobass). The alternate tuning (2 octaves below the mandola) is usually applied to a smaller-scale instrument (see Mandobass). Mandobass: 8 strings 4 courses. Standard/common: G 1 G 1 •D 2 D 2 •A 2 A 2 •E 3 E 3. Alternate: "Mandola ...
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The fingerings are no problem at all. On a Bb trumpet, the chromatic scale from F# below middle C to high C, is identical to the piccolo's F# below high C to double high C fingering. (Above that is a matter of chops, not fingering.) Going down from F# is a matter of goofing around for a few minutes to figure out which ones work.
Otherwise, the default is strict alternation of i and m. Where the a finger is used, i-a or a-m fingering is preferred to m-a, due to the physical constraints of the hand. Scale playing: Usually an alteration of the index and middle finger; however other alterations using the ring finger (or even an alterations with the thumb) are common as well.