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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn .
Foil wallpaper generally has paper backing and can (exceptionally) be up to 36 inches (91 cm) wide, and be very difficult to handle and hang. Textile wallpapers include silks, linens, grass cloths, strings, rattan, and actual impressed leaves. There are acoustical wall carpets to reduce sound.
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.
Flemish bond brickwork on the Ludwell–Paradise House. Flemish bond is a pattern of brickwork that is a common feature in Georgian architecture. The pattern features bricks laid lengthwise (stretchers) alternating with bricks laid with their shorter ends exposed (headers) within the same courses. This decorative pattern can be accented by ...
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
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