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A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
There is no known dancing instruction manual for English dances of Shakespeare's time, but there are descriptions of almains and the measures in the Inns of Court manuscripts (see Payne), mentions of Morris dance in church court and civic records (see Forrest), and large sections of dancing in court masques (see Ravelhofer and Welsford).
A typical example is Quone Mony Benefices Vakit. On other occasions, his requests were more modest. In The Petition of The Gray Horse, Auld Dunbar the poet asked the King for a new suit of clothes to mark Christmas. [2] [8] The poem Schir, Ye Have Mony Servitouris makes clear his comparative value to the king and country. [13]
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
The Three Graces: embodiment of the Romantic ballet, ca. 1840.This lithograph by A. E. Chalon depicts three of the greatest ballerinas in three of the era's defining roles: (left to right) Marie Taglioni as the Sylph in Filippo Taglioni's 1832 ballet La Sylphide; Fanny Elssler as Florinda in the dance La Cachucha from Jean Coralli's 1836 ballet Le Diable boiteux; and Carlotta Grisi as Béatrix ...
Example: My stick fingers click with a snicker And, chuckling, they knuckle the keys; Light-footed, my steel feelers flicker And pluck from these keys melodies. —“Player Piano,” John Updike. Euphony –A series of musically pleasant sounds that give the poem a melodious quality, conveying a sense of harmony to the reader.
The tarantella dance is referenced in the film Harry Potter and the Chamber of Secrets (2002), where it is the result of a magical curse. Rabbia e Tarantella is in the soundtrack of Inglourious Basterds (2009) by Quentin Tarantino. [12] Extensive use of tarantellas is made in the French film Tous les soleils (2011).
Author Monique Wittig's Virgile, Non (published in English as Across the Acheron, 1985) is a lesbian–feminist parody of the Divine Comedy set in the utopia/dystopia of second-wave feminism. [ 30 ] Mark E. Rogers used the structure of Dante's hell in his 1998 comedic novel Samurai Cat Goes to Hell (the last in the Samurai Cat series), and ...