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Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.
Sospiri, Op. 70, is an adagio for string orchestra, harp (or piano), and organ (or harmonium) [1] composed by Edward Elgar just before and performed just after the beginning of World War I.
Dolcissimo sospiro (Annibale Pocaterra) Donna, se m'ancidente (six voices) Languisco e moro, ahi, cruda; Meraviglia d'Amore; Non t'amo, o voce ingrata; Se piange, aime, la donna del mio core; Se vi miro pietosa; Voi volete ch'io mora (Guarini) Sospirava il mio core; Veggio sí, dal mio sole
Atonality in its broadest sense is music that lacks a tonal center, or key. [1] Atonality, in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. [2]
Bolet was born in Havana and studied at the Curtis Institute of Music in Philadelphia, where he himself taught from 1939 to 1942.His teachers included Leopold Godowsky, Josef Hofmann, David Saperton, Moriz Rosenthal and Fritz Reiner.
In some performances (e.g. Gardiner 1993), [6] it precedes the sextet and follows the Count's aria "Vedro mentr'io sospiro". Moberly and Raeburn argued in 1965 that this is a more logical order, and that the order in the score was necessary so that the singer who doubled in the roles of Bartolo and Antonio in the premiere, Francesco Bussani ...
Two Concert Études (Zwei Konzertetüden), S.145, is a set of two piano works composed in Rome around 1862/63 by Franz Liszt and dedicated to Dionys Pruckner, but intended for Sigmund Lebert and Ludwig Stark’s Klavierschule.