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Pattern 1 is son clave, usually played on wooden claves. Pattern 2 is the baqueteo, the key pattern used in danzón and the first expression of clave in written music. The baqueteo consists of the son clave strokes, plus four additional strokes. Not technically a bell pattern, the baqueteo is played on the güiro and on the heads of the ...
The rhythmic pattern is known in Cuba as baqueteo. The pattern of attack-points is nearly identical to the 3–2 clave motif guajeo shown earlier in this article. The bell pattern known in Cuba as clave, is indigenous to Ghana and Nigeria, and is used in highlife. [83] Top: clave. Bottom: highlife guitar part. (Play ⓘ).
The baqueteo is in fact, is an embellishment of clave, as it contains all of that key pattern's strokes. The baqueteo is shown below with both cells contained within a single measure. An example of baqueteo in popular music is the introduction of the 1994 hit "Come Out and Play" by American punk rock band The Offspring. Basic baqueteo timbales part
The rhythmic pattern is known in Cuba as baqueteo. The pattern of attack-points is nearly identical to the 3-2 clave motif guajeo shown earlier in this article. The bell pattern known in Cuba as clave, is indigenous to Ghana and Nigeria, and is used in highlife. [54] Top: clave. Bottom highlife guitar part
Common stroke patterns include abanico, baqueteo (from danzón), mambo, and chachachá. Timbales have average diameters of 33 cm (13 in) ( macho drum) and 35 cm (14 in) ( hembra drum). [ 2 ] Originally made of calfskin, the heads are most commonly made of plastic for increased volume and durability and mounted on a steel rim. [ 2 ]
The timbale bell comes from a stick pattern (cáscara) used in the Afro-Cuban folkloric rhythm guaguancó. Timbale bell and bongo bell (bottom) in 3-2 clave. Timbale bell and bongo bell (bottom) in 2-3 clave. The following example shows the most common conga (two drums), timbale bell, and bongo bell pattern combination used in salsa music. [26]
The upper parts show; a) two cells of 3:2, beginning on beats 1 and 3 (Play ⓘ); b) the same, beginning on beats 2 and 4 (Play ⓘ); c) one cell of a) and one of b) giving d) the standard bell pattern notation (Play ⓘ) The most commonly used key pattern in sub-Saharan Africa is the seven-stroke figure known in ethnomusicology as the standard ...
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