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A bell pattern is a rhythmic pattern of striking a hand-held bell or other instrument of the idiophone family, to make it emit a sound at desired intervals. It is often a key pattern [ 1 ] [ 2 ] (also known as a guide pattern , [ 3 ] phrasing referent , [ 4 ] timeline , [ 5 ] or asymmetrical timeline [ 6 ] ), in most cases it is a metal bell ...
The three single strokes are muted. The kadodo bell pattern is an embellishment of three "slow" cross-beats spanning two measures, or three-over-eight (3:8). Within the context of a single four-beat cycle (single measure), the cross-rhythmic ratio is 1.5:4. kadodo bell pattern (Play ⓘ) 3:8 or 1.5:4 (Play ⓘ)
The timbale bell comes from a stick pattern (cáscara) used in the Afro-Cuban folkloric rhythm guaguancó. Timbale bell and bongo bell (bottom) in 3-2 clave. Timbale bell and bongo bell (bottom) in 2-3 clave. The following example shows the most common conga (two drums), timbale bell, and bongo bell pattern combination used in salsa music. [26 ...
The following bell pattern is used in the Ewe rhythm kadodo. [13] The 24-pulse pattern crosses the barline, contradicting the meter with three sets of five strokes, across eight main beats (two measures of four main beats each). The three single strokes are muted. kadodo bell pattern (Play ⓘ) The kadodo bell pattern is an embellishment of ...
The rhythmic pattern is known in Cuba as baqueteo. The pattern of attack-points is nearly identical to the 3–2 clave motif guajeo shown earlier in this article. The bell pattern known in Cuba as clave, is indigenous to Ghana and Nigeria, and is used in highlife. [83] Top: clave. Bottom: highlife guitar part. (Play ⓘ).
Placing this rhythm in a 2/4 measure produces a strongly syncopated character from the sustained note which replaces an articulated one on the first quarter of the second beat. Cinquillo is an embellishment of the more basic pattern known as tresillo. Cinquillo is shown twice below. The first one merely displays the note values.
The "Bo Diddley beat" is essentially the clave rhythm, one of the most common bell patterns found in sub-Saharan African music traditions. [110] One scholar found this rhythm in 13 rhythm and blues recordings made in the years 1944–55, including two by Johnny Otis from 1948. [111] Bo Diddley gave different accounts of how he began to use this ...
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