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HiFi AFM Stereo improved the original AFM audio format, making it stereo; it was also cheaper than digital PCM. Sony accepted HiFi AFM Stereo for its future mid-range models and relegated digital PCM audio to top of the line camcorders and VCRs. All Hi8 equipment can record and play the standard 8-mm video.
The Digital8 format is a combination of the earlier analog Hi8 tape transport with the digital DV codec. Digital8 equipment uses the same videocassettes as analog recording Hi8 equipment, but the signal is encoded digitally using the industry-standard DV codec, which means it has identical digital audio and digital video specifications compared ...
IEEE 1394 (branded "FireWire") is a digital data transfer protocol commonly used for digital cameras (common on MiniDV tape camcorders), but also used for computer data and audio data transfers. Unlike Point-to-Point connections listed above, IEEE 1394 is able to host several signals on the same wire, with the data delivered and shown on the ...
Lightpipe was designed for use with the Alesis ADATs, and although extremely versatile, there are a few limitations. For straightforward digital audio transfer, the receiving device can synchronize to the lightpipe's embedded clock signal, achieving a 1:1 digital copy. For transport control, additional synchronization is needed between devices.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...
The Tascam Digital Interface [1] (TDIF) is a proprietary format connector defined by TASCAM that is unbalanced and uses a 25-pin D-sub cable to transmit and/or receive up to eight channels of digital audio between compatible devices.
For example, Compact Disc Digital Audio and Digital Audio Tape systems use different sampling rates, and American television, European television, and movies all use different frame rates. Sample-rate conversion prevents changes in speed and pitch that would otherwise occur when transferring recorded material between such systems.
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