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Blue Like Jazz is the second book by Donald Miller.This semi-autobiographical work, subtitled "Non-Religious Thoughts on Christian Spirituality," is a collection of essays and personal reflections chronicling the author's growing understanding of the nature of God and Jesus, and the need and responsibility for an authentic personal response to that understanding.
A Million Miles in a Thousand Years: What I Learned While Editing My Life (2009) is the sixth book by American autobiographer Donald Miller.It centers on the realizations that Miller came to while editing his critically and financially successful memoir Blue Like Jazz into a screenplay for a movie, directed by Steve Taylor.
Blue Like Jazz is a 2012 American comedy-drama film directed by Steve Taylor and starring Marshall Allman, Claire Holt, and Tania Raymonde. It is based on Donald Miller's semi-autobiographical book of the same name. Miller, Taylor, and Ben Pearson co-wrote the screenplay. [1]
One track from the group, "A Life Preserved", was released August 7, 2012 on the Blue Like Jazz Motion Picture Soundtrack album and credited to Steve Taylor & The Perfect Foil. An "official remix" of "A Life Preserved" also surfaced at pastemagazine.com, and Taylor returned to the stage for Creation 2013 festival. [ 11 ]
At 21, Miller left his home in Pearland, Texas, and went to Portland, Oregon, where he owned a small Portland-based textbook publishing company called Coffee House Books. Miller became a New York Times Bestselling Author when he published Blue Like Jazz in 2003.
This year's list of top nominees include Beyoncé, Charli XCX, Billie Eilish, Kendrick Lamar, Post Malone, Sabrina Carpenter, Chappell Roan and Taylor Swift.
French 2D animation specialist Disnosc will bring Miles Davis, Chet Baker and Fats Waller to a headset near you. A family venture founded by Fabrice and Nathan Otaño – a father-son duo with ...
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. [1] In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.