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The number 9 is also considered unlucky; when pronounced ku, it is a homophone for suffering (苦). The number 13 is sometimes considered unlucky, though this is a carryover from Western tradition. In contrast, 7 and sometimes 8 are considered lucky in Japanese. [2] In modern Japanese, cardinal numbers except 4 and 7 are generally given the on ...
Japanese: "Come warriors, fight as one, ready in formation, line up and take position in front. Destroy/victory!" Each of the nine syllables has a meaning that when integrated with the corresponding mudra, mantra, and visualization [corresponding deity] manifests sanmitsu kaji [grace, virtue, merit of the Three mysteries].
Other superstitions relate to the literal meanings of words. Another significant part of Japanese superstition has its roots in Japan's ancient pagan, animist culture and regards certain natural things as having kami. Thus, many Japanese superstitions involve beliefs about animals and depictions of animals bringing about good or bad fortune. [3]
Japanese words of Dutch origin started to develop when the Dutch East India Company initiated trading in Japan from the factory of Hirado in 1609. In 1640, the Dutch were transferred to Dejima , and from then on until 1854 remained the only Westerners allowed access to Japan, during Japan's sakoku seclusion period.
A woman in seiza performing a Japanese tea ceremony. Prior to the Edo period, there were no standard postures for sitting on the floor. [1] During this time, seiza referred to "correct sitting", which took various forms such as sitting cross-legged (胡坐, agura), sitting with one knee raised (立て膝, tatehiza), or sitting to the side (割座, wariza), while the posture commonly known as ...
The Japanese language makes use of a system of honorific speech, called keishō (敬称), which includes honorific suffixes and prefixes when talking to, or referring to others in a conversation. Suffixes are often gender-specific at the end of names, while prefixes are attached to the beginning of many nouns.
The line breaking rules in East Asian languages specify how to wrap East Asian Language text such as Chinese, Japanese, and Korean.Certain characters in those languages should not come at the end of a line, certain characters should not come at the start of a line, and some characters should never be split up across two lines.
Nihon-shiki (Japanese: 日本式ローマ字, lit. 'Japan-style', romanized as Nihonsiki in the system itself) is a romanization system for transliterating the Japanese language into the Latin alphabet. Among the major romanization systems for Japanese, it is the most regular one and has an almost one-to-one relation to the kana writing system.