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The Boblo disc credited "Last Kiss" to Macon Music, while the King record cited Boblo-BMI. The Boblo record featured "Last Kiss II" b/w "Hey! Baby" (Boblo 101-A), produced by Bobby Smith, offering another take on the song, with different lyrics, a faster tempo, and different instrumentation.
While J. Frank Wilson and the Cavaliers recorded more songs, [2] and "Last Kiss" was subsequently covered successfully by Wednesday and Pearl Jam, the band charted with only one other song, "Hey, Little One", which reached number 85. Various band member changes ensued as the Cavaliers eventually continued without Wilson.
The song, while only garnering minor success for Wayne Cochran and the C.C. Riders, found major success for the Cavaliers. "Last Kiss" became a hit in June 1964, it reached the top 10 in October of that year, eventually reaching number two on the Billboard Hot 100. It sold over one million copies, and was awarded a gold disc. [5]
Cochran is best known today for writing the song "Last Kiss", which he performed with the C.C. Riders. [5]Although it was not a success for him, contemporary covers by J. Frank Wilson and the Cavaliers in 1964, Wednesday in 1974, and a much later take by Pearl Jam became hits.
The last time Cleveland started 6-0 was in 2016 with LeBron James. ... Donovan Mitchell added 22 and the Cleveland Cavaliers improved to 6-0 with a 120-109 victory Friday night over the Orlando ...
Last Kiss" is a 1961 romantic love song by Wayne Cochran, covered by J. Frank Wilson and the Cavaliers, Canada's Wednesday, Pearl Jam, and others. Last Kiss or The Last Kiss may also refer to: Film
Donovan Mitchell scored a season-high 36 points, and the Cleveland Cavaliers beat the Chicago Bulls 119-113 on Monday night to become the eighth NBA team to begin a season with 12 straight wins.
A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.