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The Spanish Dances (Spanish: Danzas españolas, first published title: German: Spanische Tänze) are a collection of eight pieces for violin and piano composed by Pablo de Sarasate between 1877 and 1882 and published in four books, each book combining two dances contrasting in rhythm and character. [1] They are among Sarasate's best known works ...
The melodic themes which form the basis of "Malagueña" were not of Ernesto Lecuona's invention, having been prominent in Spanish folk songs named "malagueñas" for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition Souvenirs d'Andalousie (English: Memories of Andalusia).
Pablo de Sarasate in 1905. Sarasate was born in Pamplona, Navarre, in 1844, the son of Don Miguel Sarasate, a local artillery bandmaster.Apparently, after seeing his father struggle with a passage for a long time, he picked up the violin and played it perfectly.
Pages in category "Compositions by Pablo de Sarasate" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. C.
Tex-mex band Chingón recorded it for the 2004 soundtrack of Kill Bill: Volume 2 Kill Bill 2 Soundtrack – Malaguena Salerosa. They also performed it live – YouTube. Chitãozinho & Xororó in 2006 on their album Vida Marvada; The Italian band El Cuento de la Chica y la Tequila recorded "Malagueña Salerosa" on their 2013 EP The Wounded Healer.
The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the concerto to fellow composer - virtuoso Pablo de Sarasate , who performed the solo part at the premiere in October 1880 in Hamburg .
The malagueña (Spanish pronunciation: [malaˈɣeɲa]) is a genre of folk music from eastern Venezuela, most notably from the island of Margarita. It is characterized by a solo vocal performance and typical accompaniment of a mandolin , a cuatro and a guitar , with a rhythm in 3/4 time.
In 1917 Roldán received the Sarasate violin award and began working in the Madrid Symphony Orchestra as a violinist. He also offered concerts in several Spanish cities. In 1919 Roldán travelled to Cuba, where began working as a professor, and subsequently, in 1922, he joined the Havana Symphony Orchestra, conducted by Pedro Sanjuán.