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Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. [1] The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments.
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows.
It is perhaps Marais' most famous composition that explores the various techniques of the viol, an instrument he studied as a student of Monsieur de Sainte-Colombe. The work begins with 4 measures of the bass line played by the continuo and viol, then, on the 5th measure the violin takes over the melody.
The French Baroque school is exemplified by composers such as Ennemond Gaultier (1575–1651), Denis Gaultier (1597/1603–1672), François Dufaut (before 1604 – before 1672) and many others. The last stage of French lute music is exemplified by Robert de Visée (c. 1655–1732/3), whose suites exploit the instrument's possibilities to the ...
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. [1]
The first treatise published for the Baroque guitar was Guitarra Española de cinco ordenes (The Five-course Spanish Guitar), c. 1590, by Juan Carlos Amat. [5] [6] The baroque guitar in contemporary ensembles took on the role of a basso continuo instrument and players would be expected to improvise a chordal accompaniment.
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.
German theorbos would also today be called swan-necked Baroque lutes; seventeenth-century German theorbists played single-strung instruments in the Italian tuning transposed down a whole step, but eighteenth-century players switched to double-strung instruments in the "d-minor" tuning used in French and German Baroque lute music so as to not ...
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