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On 17 February 1984 a group of scholars and other interested parties met at a conference organised by David Daiches, making the decision that (in principle) the new edition should be based on early editions rather than the revised texts in the final 'Magnum' edition of 1829–33, and that David Hewitt of the University of Aberdeen should be ...
In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition , attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as ...
The three phases of the magnum opus: nigredo, albedo and rubedo. (from Pretiosissimum Donum Dei, published by Georges Aurach in 1475) In alchemy, albedo, or leucosis, is the second of the four major stages of the Magnum Opus, along with nigredo, citrinitas and rubedo. [1] It is a Latinicized term meaning "whiteness".
A masterpiece, magnum opus, or chef-d'œuvre (French for 'master of work'; pl. chefs-d'œuvre; French: [ʃɛ.d‿œvʁ]) is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship.
The Rebis (from the Latin res bina, meaning dual or double matter) is the end product of the alchemical magnum opus or great work.. After one has gone through the stages of putrefaction and purification, separating opposing qualities, those qualities are united once more in what is sometimes described as the divine hermaphrodite, a reconciliation of spirit and matter, a being of both male and ...
Works are shown in opus number order (Opp. 1–90), followed by those without opus number, in date order (1867–1933). The list includes incomplete and unpublished ...
Mozart's opus numbers are particularly scattered and useless and are no longer used at all (for instance, there are two sets of violin sonatas both called Op. 1). Köchel's Chronologisch-thematisches Verzeichnis sämmtlicher Tonwerke W. A. Mozarts was published in 1862 and has been substantially revised four times since then.
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