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  2. ChordPro - Wikipedia

    en.wikipedia.org/wiki/ChordPro

    The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...

  3. TuxGuitar - Wikipedia

    en.wikipedia.org/wiki/TuxGuitar

    TuxGuitar is a free and open-source tablature editor, which includes features such as tablature editing, score editing, and import and export of Guitar Pro gp3, gp4, and gp5 files. [3] In addition, TuxGuitar's tablature and staff interfaces function as basic MIDI editors.

  4. Power Tab Editor - Wikipedia

    en.wikipedia.org/wiki/Power_Tab_Editor

    There is a project on GitHub since July 2014 to develop a new version of Power Tab from the scratch, called PowerTab 2.0. It's a cross-platform (Windows, Linux, OS X) open-source solution. This new version can read the old PowerTab 1.7 files as well as Guitar Pro files. A main change is that guitar and bass score are now in the same window.

  5. Lead sheet - Wikipedia

    en.wikipedia.org/wiki/Lead_sheet

    A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening guitar riff from Deep Purple's "Smoke on the Water" is a part of the song; any performance of the song should include the guitar riff, and any imitation of that guitar riff is an imitation of the song ...

  6. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    For chords, a letter above or below the tablature staff denotes the root note of the chord, chord notation is also usually relative to a capo, so chords played with a capo are transposed. Chords may also be notated with chord diagrams. Examples of guitar tablature notation: The chords E, F, and G as an ASCII tab:

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  8. I'm Not the Only One - Wikipedia

    en.wikipedia.org/wiki/I'm_Not_the_Only_One

    In the chorus, Smith admits: "You say I'm crazy/'Cause you don't think I know what you've done/But when you call me baby/I know I'm not the only one". [20] Smith revealed to Lewis Corner that the song was the only one on the album that is not about their life, but a marriage they observed first-hand, where they put themselves into the woman's ...

  9. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...