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The Mu-tron III used opto-isolators to control the filter, which was novel for the time, a method would also be used for the Mu-tron Phasor II and Bi-Phase. The state variable filter in the Mu-tron III allowed for low-pass, bandpass, and high-pass filter response, which could be triggered from low to high or vice versa.
The Mu-Tron III was based on a Guild prototypes called the Timbre Generator. Beigel said he chose the envelope-controlled filter over other synthesizer elements, such as ring modulation, because it sounded more musical; it was a more general effect that would lend itself to a variety of applications, and it was easy to use.
Typical keycaps in the 1970s and 1980s were produced using two-shot molding, with the markings molded into each keycap in a different color of plastic.This eventually fell out of favor, as it was more expensive (particularly in tooling costs), and tended to produce keycaps more durable than the equipment on which they were mounted.
Due to the requirement of many notebooks to be slim, they require the keyboards to be low-profile. Therefore, this technology is most commonly featured on notebooks. The keys are attached to the keyboard via two plastic pieces that interlock in a "scissor"-like fashion and snap to the keyboard and the keycap.
A full-height rack cabinet. A 19-inch rack is a standardized frame or enclosure for mounting multiple electronic equipment modules. Each module has a front panel that is 19 inches (482.6 mm) wide.
Bùi Đơn Dương, known in his films as Đơn Dương (August 27, 1957 – December 8, 2011), [1] was a Vietnamese film actor, who emigrated to the United States in 2003. He began acting in 1982 and has appeared in over 50 feature films.