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Silver amphora-rhyton with zoomorphic handles, c. 500 BC, Vassil Bojkov Collection (Sofia, Bulgaria) An amphora (/ ˈ æ m f ər ə /; Ancient Greek: ἀμφορεύς, romanized: amphoreús; English pl. amphorae or amphoras) is a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and ...
Melian Pithamphorae or Melian Amphorae are names for a type of large belly-handled amphorae, which were produced in the Archaic period in the Cyclades. On account of their shape and painted decoration in the Orientalising style, they are among the most famous Greek vases. The amphorae are dated to the seventh and early sixth centuries BC; the ...
Articles relating to amphorae, a type of container [1] with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period ...
Craters marked the places of males and amphorae marked those of females. [10] This helped them to survive, and is why some will depict funeral processions. [11] White ground lekythoi contained the oil used as funerary offerings and appear to have been made solely with that object in mind. Many examples have a concealed second cup inside them to ...
If you want to transport as many amphorae as possible in a limited space, you have to stack them. With pointed bases this is easier, the point of one amphora fits into the space of the three amphorae beneath. So I think the shape is just saving space and therefore economic. --93.194.114.62 18:02, 8 January 2012 (UTC)
The Eleusis Amphora is an ancient Greek neck amphora, now in the Archaeological Museum of Eleusis, that dates back to the Middle Protoattic (c. 650–625 BCE). [1] The painter of the Eleusis Amphora is known as the Polyphemos Painter.
Monte Testaccio (Italian pronunciation: [ˈmonte teˈstattʃo]) [1] or Monte Testaceo, also known as Monte dei Cocci, is an artificial mound in Rome composed almost entirely of testae (Italian: cocci), fragments of broken ancient Roman pottery, nearly all discarded amphorae dating from the time of the Roman Empire, some of which were labelled with tituli picti.
The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka’s 1829 book Recherches sur les veritables noms des vases grecs, whose confident assertion that he had rediscovered the ancient nomenclature was quickly disputed by Gerhard and Letronne.