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A bass recorder is a wind instrument in F 3 that belongs to the family of recorders. The bass recorder plays an octave lower than the alto or treble recorder. In the recorder family it stands in between the tenor recorder and C great-bass (or quart-bass) recorder. Due to the length of the instrument, the lowest tone, F, requires a key.
Korg D888 8-track digital recorder; Korg Kaoss Pad 3 [50] Korg MicroX compact X50, [51] half sounds from the TR, half new, with the X50's software capability; Korg X50 A stripped-down Korg TR with no sequencer but a software-linking editor librarian; Korg Pa 800 Successor of the award-winning Pa 80, but boosted with features like in the Pa1X Pro
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
KORG has since diversified into digital effects, tuners, recording equipment, electronic hand percussion, and software instruments. [5] [6] In 1992, KORG acquired Vox, then primarily a manufacturer of guitar amplifiers. [7] KORG was the exclusive distributor of Marshall Amplification products in the US for decades. This arrangement ended in 2010.
Ampeg ("amplified peg") [1] [2] is a manufacturer best known for its bass amplifiers.. Originally established in 1946 in Linden, New Jersey by Everett Hull and Stanley Michaels as "Michael-Hull Electronic Labs," today Ampeg is part of the Yamaha Guitar Group.
The contrabass recorder plays an octave lower than the ordinary bass (or "basset") recorder. Until recently, it was the largest instrument in the recorder family, but since 1975 has been exceeded by the sub-great bass recorder (also called "contra-great bass" or simply "contrabass" recorder) in C 2 and the sub-contrabass recorder in F 1.
The first use of pedals on a pipe organ grew out of the need to hold bass drone notes, to support the polyphonic musical styles that predominated in the Renaissance. Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2]