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The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films.
The Asylum's first family film not marketed under Faith Films. 2012 Grimm's Snow White: Snow White and the Huntsman: 2-Headed Shark Attack: Christopher Ray Followed by 3-Headed Shark Attack in 2015, 5-Headed Shark Attack in 2017 and 6-Headed Shark Attack in 2018. — Bikini Spring Break: Jared Cohn: Spring Breakers: Hold Your Breath — Abraham ...
Affirm Films is an American independent Christian film studio producing, marketing, and acquiring faith-based films. [2] A subsidiary of Sony Pictures Worldwide Acquisitions, the studio's highest-grossing faith-based dramas are Heaven is for Real, Miracles from Heaven, and War Room. Its films have collectively grossed over $570 million in ...
Scary Movie 3; Semana Santa (2002 film) Seven (1995 film) Seven Kilometers from Jerusalem; The Seventh Seal; Sexy Durga; The Shack (2017 film) Shivam (2015 Kannada film) Show Me the Father; Shttl; Sinner (film) Sólo de noche vienes; Son of Rambow; The Song of Bernadette (film) Split Image (film) Sri Ramadasu; St. Francis (film) St. Giuseppe ...
Faith is a survival horror video game developed by Airdorf Games for Windows.The game consists of three chapters; the first two were self-published by Airdorf Games in October 2017 and February 2019 respectively, while the third was published by New Blood Interactive in October 2022 as part of Faith: The Unholy Trinity (stylized as FAI†H: The Unholy Trinity), a compilation of all three ...
Cult Movies 3 is a 1988 book by Danny Peary, a follow-up to his previous books Cult Movies (1980) and Cult Movies 2 (1983). Like its predecessors, it consists of a series of essays regarding what Peary described as the most representative examples of the cult film phenomenon. The book covers fifty films that were not discussed in the first two ...
The plot centers on six strangers and an employee at the El Royale, a hotel located along the California–Nevada border, whose personal secrets intersect on a fateful night in the late 1960s. The film explores themes of morality, faith, and redemption, with the state border and other visual elements symbolizing the concept of right and wrong.
Leonard Maltin has described the movie as "hilarious yet thought-provoking, with endlessly quotable dialogue and an amazing barroom fight scene." [12] Blatty's screenplay was later published in 2000 with commentary by English film critic Mark Kermode (Kermode also contributed to the audio commentary and featurette on the film's DVD release in ...