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17th-century house restored by Wallace Nutting. In 1915, antiquarian Wallace Nutting purchased the Appleton-Taylor-Mansfield House, a 1680s farmhouse near the iron works site which was believed to be the former home of the ironmaster of the Saugus Iron Works. He renamed the home Broadhearth and undertook an extensive, albeit embellished ...
The city of Sheffield in England has been famous for the production of cutlery since the 17th century and a train – the Master Cutler – running from Sheffield to London was named after the industry. [2] Bringing affordable cutlery to the masses, stainless steel was developed in Sheffield in the early 20th century. [3]
Historic pewter, faience and glass tableware. In recent centuries, flatware is commonly made of ceramic materials such as earthenware, stoneware, bone china or porcelain.The popularity of ceramics is at least partially due to the use of glazes as these ensure the ware is impermeable, reduce the adherence of pollutants and ease washing.
Limoges enamel was usually applied on a copper base, but also sometimes on silver or gold. [5] Preservation is often excellent due to the toughness of the material employed, [5] and the cheaper Limoges works on copper have survived at a far greater rate than courtly work on precious metals, which were nearly all recycled for their materials at some point.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Silver tableware also often had coats of arms engraved on it, but as porcelain replaced metal as the favoured material for elite tableware in the 18th century, armorial porcelain became very popular. When overglaze decoration was used, the pottery could produce the glazed ware without the arms, which were then added when a commission was received.
17th-century plate with genteel party in a European-style landscape. The border has birds, flowers and a rabbit, all at the same size. [3] Nevers was one of the centres where the istoriato style of Italian maiolica was transplanted in the 16th century, and flourished for rather longer than in Italy itself. In the 17th century, Nevers became a ...
In the 16th century and the early 17th century, the Weald was a major source of iron for manufacture in London, peaking at over 9000 tons per year in the 1590s. [11] However, after 1650, Wealden production became increasingly focused on the production of cannon ; and bar iron was only produced for local consumption.