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The Pavilion for Japanese Art is a part of the Los Angeles County Museum of Art containing the museum's collection of Japanese works that date from approximately 3000 BC through the 20th century AD. The building itself was designed by renowned architect Bruce Goff .
To create his monochrome paintings in diluted greys and black ink, Sesshū used black sumi, meaning charcoal or soot-based solid ink on paper or silk, thus following the art of sumi-e [8] Some of Sesshū's most acclaimed works include Winter Landscape (c. 1470s), Four Landscape Scrolls of the Seasons (c. 1420 – 1506) and, Birds and Flowers (c ...
This list of museums in Los Angeles is a list of museums located within the City of Los Angeles, defined for this context as institutions (including nonprofit organizations, government entities, and private businesses) that collect and care for objects of cultural, artistic, scientific, or historical interest and make their collections or related exhibits available for public viewing.
Greater Los Angeles Area: Art: Part of Pepperdine University, works from the collections of the Frederick R. Weisman Art Foundation: Gallery 825: West Hollywood: Westside: Art: Operated by the Los Angeles Art Association: Gamble House: Pasadena: San Gabriel Valley: Historic house: 1908 Craftsman-style house George Westmore Research Library ...
The full hanging scroll of Broken Ink Landscape by Sesshū Tōyō, 1495, including dedicatory inscription by the artist, and six poems by Zen Buddhist monks.. Haboku sansui (破墨山水図, haboku sansui-zu, Broken Ink Landscape) is a splashed-ink landscape painting on a hanging scroll.
Los Angeles County Museum of Art; Los Angeles Institute of Contemporary Art; Los Angeles Municipal Art Gallery; Louis Stern Fine Arts; La Luz de Jesus; M. MAMA Gallery;
The Sloomoo Institute is a playful palace dedicated to all things slime, where guests can toss it, mold it, walk on it, get drenched by it and even experience the ASMR benefits of it.
In 1468, at the age of 48, Sesshū embarked on a trip to Ming China to study contemporary modes and styles of landscape paintings. Though initially studying under the auspices of Tenshō Shūbun and Josetsu, the expedition and visits to vast regions and cities from Beijing and Ningbo helped expanded and developed the styles that would be utilized in Autumn and Winter Landscapes.
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