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L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps ) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. [ 1 ]
The first three chapters of Cinema 2, each outlining a number of ways of approaching what Deleuze calls "the time-image". The first chapter explores the works of various filmmakers who were, according to Deleuze, precursors to time-images.
Download as PDF; Printable version; In other projects ... Pages in category "Works by Gilles Deleuze" The following 18 pages are in this category, out of 18 total.
Gilles Deleuze was born into a middle-class family in Paris and lived there for most of his life. His mother was Odette Camaüer and his father, Louis, was an engineer. [7] His initial schooling was undertaken during World War II, during which time he attended the Lycée Carnot. He also spent a year in khâgne at the Lycée Henri IV.
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; ... Pages in category "Gilles Deleuze"
Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a "line of flight", but deterritorialization also "constitutes and extends" the territory itself.
The Fold started to influence architectural design and theory shortly after it was published in 1988. [2] Greg Lynn's guest-edited 1993 March-April issue of Architectural Design, which is titled Folding in Architecture, was one of the first publications that associated Deleuze's writing on the Baroque with contemporary architecture.
Deleuze and Guattari oppose the Freudian conception of the unconscious as a representational "theater", instead favoring a productive "factory" model: desire is not an imaginary force based on lack, but a real, productive force. They describe the machinic nature of desire as a kind of "desiring-machine" that functions as a circuit breaker in a ...