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A crucial difference, however, between the neo-bop movement and its bop predecessors was that neo-bop had academic roots and rejected the "iconoclastic" and rebellious lifestyles of the bop era. Marsalis instead advocated that jazz could achieve "fine-art" status and be compared to classical music rather than rock music. [1]
Neo-bop jazz: Neo-bop jazz, notably associated with Wynton Marsalis, is a comparatively accessible, "retro" genre that emerged in the 1980s as a stylistic reaction against free jazz and jazz fusion. 1980s -> Neo-swing: The name given to the renewed interest in swing music from the 1930s and 40s.
Neo-bop as a subgenre emerged within jazz during the early 1980s.. This list is derived from All Music [1] and may contain inaccuracies. In addition the source indicates most or all these musicians work in others genres as well with Post-bop and Hard bop being most common.
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales, and occasional references ...
Hard bop is an extension of bebop (or "bop") music that incorporates influences from blues, rhythm and blues, and gospel, especially in saxophone and piano playing. Hard bop was developed in the mid-1950s, coalescing in 1953 and 1954; it developed partly in response to the vogue for cool jazz in the early 1950s and paralleled the rise of rhythm ...
A group of young musicians including Wynton Marsalis who played neo-bop jazz were frequently referred to in the jazz press as "young lions". Notably, the phrase was used as part of the title of an Elektra/Musician album which featured Marsalis, The Young Lions (A Concert Of New Music Played By Seventeen Exceptional Young Musicians).
Meaning. St. Vincent: You hear somebody, the most honest reckoning with what it is to be a human and also for musicians, the knowledge that this thing, music, is so much bigger than you and you're ...
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.