Search results
Results from the WOW.Com Content Network
Downtown Milan in the 1960s. The Italian economic miracle or Italian economic boom (Italian: il miracolo economico italiano or il boom economico italiano) is the term used by historians, economists, and the mass media [1] to designate the prolonged period of strong economic growth in Italy after World War II to the late 1960s, and in particular the years from 1958 to 1963. [2]
The “new” Italy must rely on the “old” Italy to thrive and be successful. Michele as the “old” Italy, becomes a learning experience and the foundation for Gino, the “new” Italy. This final scene shows how the intermingling of tradition in the “old” Italy balances out the economically developed “new” Italy.
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
The New York Times Company is majority-owned by the Ochs-Sulzberger family through elevated shares in the company's dual-class stock structure held largely in a trust, in effect since the 1950s; [118] as of 2022, the family holds ninety-five percent of The New York Times Company's Class B shares, allowing it to elect seventy percent of the ...
Bosley Crowther of The New York Times opened his review by writing: "After all the unprecedented interest that the picture 'Stromboli' has aroused — it being, of course, the fateful drama which Ingrid Bergman and Roberto Rossellini have made — it comes as a startling anticlimax to discover that this widely heralded film is incredibly feeble ...
The film, told as a neo-realist fable, explains the lives of a poverty-stricken group in post-war Milan, Italy. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." [4]
Shooting began in February 1975 in Rome and Venice and was meant to take 14 weeks; however, the movie went behind schedule. Minnelli's cut of the movie was over three hours. [4] Cost-conscious American International Pictures executives, dismayed by filming delays and rising expenses, wrested control of the film from Vincente Minnelli. [3]
Italy is the most awarded country at the Academy Awards for Best Foreign Language Film, with 14 wins, 3 Special Awards and 31 nominations. Winners with the year of the ceremony: Shoeshine (1947), by Vittorio De Sica (Honorary Award) Bicycle Thieves (1949), by Vittorio De Sica (Honorary Award) The Walls of Malapaga (1950), by René Clément ...