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The artist's love of the mountains influenced other artists to depict the Diamond Mountains and even encouraged mapmakers to make maps of the area. Although Jeong Seon made many paintings of Mt. Geumgangsan, this painting is the largest and considered his best. Like many of his paintings, Jeong Seon painted this landscape while viewing the ...
Name Korean name Date Note References Na Hye-sok: 나혜석: 1896–1948 Yi Eungro: 이응로: 1904–1989 Kim Hwan-gi: 김환기: 1913–1974 Park Su-geun
Korean painting (Korean: 한국화) includes paintings made in Korea or by overseas Koreans on all surfaces. The earliest surviving Korean paintings are murals in the Goguryeo tombs , of which considerable numbers survive, the oldest from some 2,000 years ago (mostly now in North Korea ), with varied scenes including dancers, hunting and ...
Other Korean artists combining modern Western and Korean painting traditions are i.e. Junggeun Oh and Tschoon Su Kim. While there have been only rare studies on Korean aesthetics, a useful place to begin for understanding how Korean art developed an aesthetic is in Korean philosophy, and related articles on Korean Buddhism, and Korean Confucianism.
Jeong Seon (Korean: 정선; 1676 – 20 April 1759) [1] was a Korean landscape painter, also known by the art names Gyeomjae and Nangok.His ja was Wonbaek. His works include ink and oriental water paintings, such as Inwangjesaekdo (1751), Geumgang jeondo (1734), and Ingokjeongsa (1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture.
His works often depicted everyday life in Korea, including scenes of rural landscapes, his family's village and island life, and traditional Korean dress. He made great contributions to the introduction of Western styles in Korea. His inspirations include George Rouault (1871-1958) and Pablo Picasso (1881-1973).
Kim Hong-do (Korean: 김홍도, 1745–c. 1806 to 1814) was a Korean painter during the Joseon dynasty. He is mostly remembered for his depictions of the everyday life of ordinary people, in a manner analogous to painters of the Dutch Golden Age. [1] He was also widely known by his art name Danwon (단원).
Minhwa means popular painting or people’s art and is traditional Korean folk art from the Chosun era (1392-1910) painted onto paper or on canvas. Yoon (2020) mentions that “Minhwa is a traditional art form that was intimately connected to the lives of the Korean people, so it best embodies the Korean sentiment” (p. 14).