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"Werewolves of London" is a song recorded by American singer-songwriter Warren Zevon, written by Zevon, LeRoy Marinell and Waddy Wachtel. It first appeared on Excitable Boy (1978), Zevon's third studio album, then it was released as a single by Asylum Records in March 1978, becoming a Top 40 US hit, the only one of Zevon's career, reaching No. 21 on the US Billboard Hot 100 in May.
Warren William Zevon (January 24, 1947 – September 7, 2003) [1] was an American rock singer and songwriter. His most famous compositions include "Werewolves of London", "Lawyers, Guns and Money" and "Roland the Headless Thompson Gunner".
Excitable Boy is the third studio album by American musician Warren Zevon.The album was released on January 18, 1978, by Asylum Records.It includes the single "Werewolves of London", which reached No. 21 and remained in the American Top 40 for six weeks.
Robert "Waddy" Wachtel (born May 24, 1947) is an American musician, composer and record producer, most notable for his guitar work. Wachtel has worked as session musician for other artists such as Linda Ronstadt, Beth Hart, Stevie Nicks, Miranda Lambert, Kim Carnes, Randy Newman, Keith Richards, The Rolling Stones (lead guitar on "Saint of Me"), Jon Bon Jovi, James Taylor, Iggy Pop, Warren ...
The song, musically, is a mashup of Bob Seger's "Night Moves", Lynyrd Skynyrd's "Sweet Home Alabama" and Warren Zevon's "Werewolves of London". [3] This composition originated from a beat developed by Violent J of Insane Clown Posse while working with Mike E. Clark, a mutual collaborator of Kid Rock's, who sampled Warren Zevon's "Werewolves of London" and had put the tape aside for an Insane ...
Enjoy Every Sandwich: The Songs of Warren Zevon, released in 2004, is a tribute album to the late Warren Zevon by several well-known musicians. It includes a previously unreleased Zevon composition: "Studebaker", sung by Warren's son Jordan Zevon.
Live on Earth is a live recording (double CD) of the band UFO.It was recorded in Vienna, Austria in 1998 and features four-fifths of the reformed, classic line up of the band from the late 1970s with Simon Wright replacing Andy Parker on drums who had decided to run his family business rather than tour.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]