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Gospel Time 1962 The Sons of Song Sing 12 Lee Roy Abernathy Songs , White Church 12-1791 recorded 1962, released 1971 Side One: You Can't Put a Price on Your Soul; Hard Labor; My God Goes with Me; Beautiful Streets of Gold; He's Such a Comfort to Me; All About Jesus.
Singing on Sunday is a gospel album recorded by Kitty Wells and released in 1962 on the Decca label (DL 4270). [ 1 ] [ 2 ] Thom Owens of Allmusic called it "enjoyable but unexeptional." [ 2 ]
Stormy Monday, also known as I'd Rather Drink Muddy Water, is the debut album of R&B singer Lou Rawls, released in 1962 on Capitol Records. Recorded in two sessions in February 1962, the album features a number of blues and jazz standards chosen by Rawls and backed by the Les McCann Trio. [2] Stormy Monday was reissued in 1990 by Blue Note records.
His 1962 gospel song composition "Let the Lord Be Seen in Me", recorded for his One Step & Angel on Vacation album, was also recorded in 1964 by an emerging force in Jamaican music, Bob Marley & the Spiritual Sisters. Marley later adopted the Rastafarian faith, but along with his mother, at first he sang gospel in the local Shilo Apostolic Church.
1962: US: UK 1 – Feb 1962, Australia 1 for 4 weeks Aug 1961, US BB 2 – Dec 1961, US BB 4 of 1962, Canada 4 – Nov 1961, POP 4 of 1962, Australia 5 of 1962, South Africa 5 of 1962, RYM 11 of 1961, DDD 12 of 1961, US CashBox 28 of 1962, Party 33 of 2007, Scrobulate 64 of oldies, Italy 75 of 1962, Rolling Stone 394, WXPN 441, Acclaimed 1361 5
Stranger on the Shore" by Acker Bilk was the number one song of 1962. Ray Charles had three songs on the Year-End Hot 100. Dion had three songs on the Year-End Hot 100. This is a list of Billboard magazine's Top Hot 100 songs of 1962. [1] The Top 100, as revealed in the year-end edition of Billboard dated December 29, 1962, is based on Hot 100 ...
These are the Billboard Hot 100 number one hits of 1962.. That year, 14 acts achieved their first number one songs, namely Joey Dee and the Starliters, Gene Chandler, Bruce Channel, Shelley Fabares, Mr. Acker Bilk, David Rose, Bobby Vinton, Neil Sedaka, Little Eva, Tommy Roe, The Four Seasons, Bobby "Boris" Pickett, The Crystals, and The Tornados.
The song evokes the jazz and gospel music musical styles of the film's New Orleans setting, and the reputation of its Storyville district. It addresses an unnamed straying Christian — or perhaps all who …walk on the wild side Away from the promised land. and seems to threaten them in terms understood within their life style: