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As a biblical reference, the metaphor may refer to physical armour worn by God in metaphorical battles, or it may refer to vigilant righteousness in general as bestowed by the grace of God (Romans 13:12, King James Version): "The night is far spent, the day is at hand: let us therefore cast off the works of darkness, and let us put on the ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Dionysus, god of wine; Hephaestus, god of forge and sculpture; Poseidon, god of the sea, one of the big three; Zeus, god of the sky and lightning, one of the big three; Hera, goddess of marriage, family, women, and childbirth, queen of the gods, wife of Zeus; Hades, god of the Underworld, one of the big three; Demeter, goddess of agriculture
Armor of Achilles, created by Hephaestus and said to be impenetrable. (Greek mythology) Armor of Beowulf, a mail shirt made by Wayland the Smith. (Anglo-Saxon mythology) Armor of Örvar-Oddr, an impenetrable "silken mailcoat". (Norse mythology) Babr-e Bayan, a suit of armor that Rostam wore in wars described in the Persian epic Shahnameh. The ...
At least in later Orthodox images, each bar of this cross is composed of three lines, symbolising the dogmas of the Trinity, the oneness of God and the two natures of Christ. In mosaics in Santa Maria Maggiore (432–40) the juvenile Christ has a four-armed cross either on top of his head in the radius of the nimbus, or placed above the radius ...
God the Father appears in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam. God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin (see gallery below) in the Frari of Venice, long admired as a masterpiece of High Renaissance art. [25]
It focuses on spiritual essence rather than physical form. While there has been an aversion to potential idol worship through Islamic history, this is a distinctly modern Sunni view. Persian miniatures , along with medieval depictions of Muhammad and angels in Islam , stand as prominent examples contrary to the modern Sunni tradition.
The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]